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Snow Crash – Neal Stephenson (1992)

Snow Crash

‘In reality, Hiro Protagonist delivers pizza for Uncle Enzo’s CosoNostra Pizza Inc., but in the Metaverse he’s a warrior prince. Plunging headlong into the enigma of a new computer virus that’s striking down hackers everywhere, he races along the neon-lit streets on a search-and-destroy mission for the shadowy virtual villain threatening to bring about infocalypse. Snow Crash is a mind-altering romp through a future America so bizarre, so outrageous… you’ll recognize it immediately.’

Blurb from the 2003 Spectra Edition

The main issue I have with this novel is that I wish I had read it in 1992 when it was first published. Twenty seven years on it certainly sparkles but there is a dated quality to it.
I have not read a great deal of Stephenson previously, although I immensely enjoyed The Diamond Age but was so-so with regard to Zodiac and Interface.
He is a writer much like Bob Shaw in paying attention to what Shaw referred to as the ‘wee thinky bits’, those small elements of SF that one not only has to invent, but also envisage the myriad ways in which such a concept could be employed, and there are a few moments of genius on this level.
Here, the spectre of Philip K Dick smiles on Stephenson’s vision of a California where society exists both in the real world and the virtual reality Metaverse. It is an anarchic near future controlled by a number of criminal cabals, most notably the Mafia, while the institution known as The United States of America is merely a bureaucratic body which operates The Feds, a nominal law enforcement agency who appear surplus to requirements.
The two central figures are the hacker, Hiro Protagonist, also a very proficient samurai sword wielder, and Y.T. a savvy fifteen year old Kourier, who transports packages of various sorts from A to B on a futuristic smart skateboard.
A new street drug, Snow Crash, is linked to a new computer virus. This can project binary code, the sight of which alters the structure of the brain.
The central premise is well researched and involves early Sumerian brainwashing by way of cuneiform on clay tablets. Translated to the world of binary data, these writings give a rich religious egomaniac the chance to create a data/brain virus that will turn the entire population into his willing followers. It doesn’t bear close scrutiny and stretches credulity more than it really needs.
It’s well-written, it can’t be denied. It’s clever. It sings with a subtle dry humour. I enjoyed the scene where the US President makes an appearance, and has to explain who he is.
However, it is for one thing far too long, and begins to drown under its own cleverness. Do we really have to have the entire memo that the Feds send out to employees that, as is pointed out in the text, takes approximately twelve minutes to read?
There are moments of infodumping here and there, as in the section where Hiro has to explain to Uncle Enzo, the head of the mafia, what Snowcrash is, where it came from, what the baddie is doing with it and how it can operate on electronic and biological levels.
I don’t know about Uncle Enzo but I’m still not too clear, and I had it all written down.
The other thing is that Stephenson is doing nothing new with the genre. I can think of at least two other authors who employ a similar style and had I read this without knowing who the author was I would have been hard-pressed to pin it down to one name.
Yes it is satirical but the satire is never very hard hitting and doesn’t seem to be making any particular point.
This was written eight years into the cyberpunk era and to stand out one has to have a specific voice. Jeff Noon, Michael Swanwick and Simon Ing, for instance, took the concept and gave it a slant.
There’s no slant here. Great book, full of ideas, very inventive but sadly lacking that elusive essence.


Year’s Best SF 11 – David G Hartwell (Ed) & Kathryn Cramer (Ed) (2006)

Year's Best SF 11 (Year's Best SF (Science Fiction))

It could be argued that ‘Nature’ is helping to keep that odd phenomenon, the short short story, alive. The SSS – not to be confused with the Drabble, which is a microstory of one hundred words – presumably due to the space constraints for fiction within the magazine, runs to no more than four pages.
Thus SF has found an evolutionary niche in a non-fiction periodical, much as happened back in the Sixties and Seventies with Playboy, which regularly had its published stories reprinted in ‘Year’s Best’ anthologies.
Several SSS’s feature in this volume and very good they are too. The longer pieces are also excellent, although in many I am seeing very good writing but little innovation.
There are two so far that I find both innovative and exciting, Rudy Rucker’s ‘Guadalupe and Hieronymus Bosch’ and Daryl Gregory’s ‘Second Person, Present Tense’.

David Langford – New Hope for the Dead (Nature 2005)
Hannu Rajaniemi – Deus Ex Homine (Nova Scotia 2005)
Gardner R Dozois – When the Great Days Came (F&SF 2005)
Daryl Gregory – Second Person, Present Tense (Asimov’s 2005)
Justina Robson – Dreadnought (Nature 2005)
Ken Macleod – A Case of Consilience (Nova Scotia 2005)
Tobias S Bucknell – Toy Planes (Nature 2005)
Neal Asher – Mason’s Rats (Asimov’s 2005)
Vonda N McIntyre – A Modest Proposal (Nature 2005)
Rudy Rucker – Guadalupe and Hieronymus Bosch (Interzone 2005)
Peter F Hamilton – The Forever Kitten (Nature 2005)
Matthew Jarpe – City of Reason (Asimov’s 2005)
Bruce Sterling – Ivory Tower (Nature 2005)
Lauren McLaughlin – Sheila (Interzone 2005)
Paul McAuley – Rats of The System (Constellations 2005)
Larissa Lai – I Love Liver: A Romance (Nature 2005)
James Patrick Kelly – The Edge of Nowhere (Asimov’s 2005)
Ted Chiang – What’s Expected of Us (Nature 2005)
Michael Swanwick – Girls and Boys, Come Out to Play (Asimov’s Aug 2005)
Stephen Baxter – Lakes of Light (Constellations 2005)
Oliver Morton – The Albian Message (Nature 2005)
Bud Sparhawk – Bright Red Star (Asimov’s 2005)
Alaya Dawn Johnson – Third Day Lights (Interzone 200 2005)
Greg Bear – Ram Shift Phase 2 (Nature 2005)
Gregory Benford – On the Brane (Gateways 2005)
R Garcia y Robertson – Oxygen Rising (2005)
Adam Roberts – And Future King… (Nature 2005)
Alastair Reynolds – Beyond the Aquila Rift (Constellations 2005)
Joe Haldeman – Angel of Light (Cosmos #6 – Dec 2005)
Liz Williams – Ikiryoh (Asimovs, Dec 2005)
Cory Doctorow – I, Robot (Infinite Matrix – Dec 2005)

David Langford – New Hope for the Dead

A satirical tale in which the digitally preserved dead are recruited to police e-mail during a credit crunch.

Hannu Rajaniemi – Deus Ex Homine

A very well-written story involving man’s fight against a virus which transforms humans into godlike AIs.

Gardner R Dozois – When the Great Days Came

The first of the stories in this volume featuring rats (either literally or symbolically). A rat witnesses the meteor strike which initiates the human extinction event.

Daryl Gregory – Second Person, Present Tense

One of the best stories in this volume, Gregory tells the story of Therese, whose personality was wiped by a new illegal drug. Having had her personality and memories reassembled, Terry has trouble convincing her family and therapists and maybe herself that she is not the Therese who took the drug in the first place. Gripping and thought-provoking.

Justina Robson – Dreadnought

A grim slice of dark space opera where dead soldiers, mounted on the flanks of a damaged military space vehicle are employed to host a damaged AI.

Ken Macleod – A Case of Consilience

An update on James Blish’s seminal novel ‘A Case of Conscience’ in which a priest seeks to communicate with seemingly intelligent networks of fungus.

Tobias S Bucknell – Toy Planes

An interesting little piece which relates the West Indies entry into the space race, from the viewpoint of a young pilot.

Neal Asher – Mason’s Rats

The rats in this story have mutated into a tool-bearing species which are raiding the grain from an automated factory. The question is, who are the true rats when one examines the bigger picture.

Vonda N McIntyre – A Modest Proposal

Like Macleod’s story, this is also a response to an earlier piece, in this case Swift’s (?) ‘A Modest Proposal to Improve on Nature’.

Rudy Rucker – Guadalupe and Hieronymus Bosch

As befits the artist, this is a surreal and colourful piece in which an alien takes a woman back in time to kidnap her hero, Hieronymus Bosch. The alien appears to be planning some kind of art installation of his own, featuring the relationship between the two, but things do not go to plan

Peter F Hamilton – The Forever Kitten

A short and fairly standard piece from Hamilton, which again looks at one of his favourite themes, that of longevity. It has a shock ending, which is unexpected, despite the brevity of the tale.

Matthew Jarpe – City of Reason

Asteroid dwellers, in a universe where disaffected radicals can set up their own communities in the asteroid belt. A one-man ship intercepts another ship hidden inside an asteroid containing a young couple. The girl, however is not what she seems and they are carrying a nuclear weapon, to destroy the City of Reason. A tale of advanced human augmentation.

Bruce Sterling – Ivory Tower

A very brief tale about physicists setting up their own university on the internet

Lauren McLaughlin – Sheila

A beautifully atmospheric and engaging story about AIs, humans and religion. AI worship also features in the following story by Paul McAuley

Paul McAuley – Rats of The System

When transcendent AIs abandon Earth, fundamentalist sects proclaim them as gods and set about destroying anyone who dares to believe differently. A scientist and a pilot are attacked by the Fanatics while studying one such AI, who is dismantling a binary star system. The Rats here are metaphorical.

Larissa Lai – I Love Liver: A Romance

Just as the title says, a researcher falls in love with the liver he has designed.

James Patrick Kelly – The Edge of Nowhere

One of my favourite stories in this volume, this is set in a virtual world atop a plateau, where the residents can order anything they wish to be constructed. One of them, however, is trying to write The Great American Novel, and this original work provokes the interest of three intelligent dogs who suddenly appear, enquiring about the book.

Ted Chiang – What’s Expected of Us

Another excellent short piece from nature examining the concept of free will and determinism.

Michael Swanwick – Girls and Boys, Come Out to Play

A story which takes place in Arcadia, replete with artificially created gods such as Dionysus, satyrs, nymphs, and the author’s regular characters – Darger and Surplus. see also ‘The Dog said Bow-Wow’

Stephen Baxter – Lakes of Light

Part of Stephen Baxter’s ‘Xeelee Sequence’, this features a contact unit who find human colonies living under domes on a Xeelee constructed shell around a sun.

Oliver Morton – The Albian Message

Aliens have apparently left messages encoded in human DNA which points to a location at the Trojan asteroids.

Bud Sparhawk – Bright Red Star

A grim militaristic tale highlighting the realities of war and desensitisation.

Alaya Dawn Johnson – Third Day Lights

‘a strange creature living within a bizarre ‘body’ with a two-dimensional friend, is visited by a human. He is able to respond to the challenges which she sets him, and reveals that humanity is in the process of retrieving all humans who may or may not have ever lived, before using the energy from all universes, no matter how strange.’ from bestsf.net

Greg Bear – Ram Shift Phase 2

Another short short story from Nature

Gregory Benford – On the Brane

Humans visit a parallel Earth in a universe which is dying far faster than ours, where the laws of physics are very different and intelligent life of a very odd sort has evolved on Earth.

R Garcia y Robertson – Oxygen Rising

A human negotiator is involved in a war between humans and various bioengineered human decendants

Adam Roberts – And Future King…

King Arthur is recreated and decides to run for government. Another very short piece from ‘Nature’

Alastair Reynolds – Beyond the Aquila Rift

Reynolds is expert at the incredibly dense universe he creates. Here, we find a ship which has taken the wrong turn somehow through a wormhole and ended up somewhere else, but exactly how far have they travelled, and for how long?

Joe Haldeman – Angel of Light

In the future Ahmad Abd al-kareem, an adherent of Chrislam finds a preserved copy of the Summer 1944 issue of Thrilling Wonder Stories belonging to an ancestor. After much soul-searching he takes it to the bazaar and barters it to an alien for an eternal light.

Liz Williams – Ikiryoh

A fascinating story about Japanese society and a woman who is asked to look after a child which has been given the bad spirit of the ruler, an Ikiryoh. While the bad spirit is trapped in the child, the ruler will be kind and beneficent.

Cory Doctorow – I, Robot

One of the best stories in this collection, it follows a man whose brilliant wife defected to the East where technological controls are less severe, and he suspects she is responsible for the recent terrorist software attacks on the West.


City – Clifford D Simak (1952)

City

‘It started in 1990…
Cheap atomic power was a reality.
Hydroponic farming ensured enough to eat.

So everywhere men left the cities, abandoning the ancient huddling places of the human race.

At last, man was free.

And left behind – in the dead and empty cities – man’s memories remained as symbols of the childhood of the race. The Golden Age had come at last after generations of war and toil.

And yet…IT WAS ALSO THE PRELUDE TO THE DAY WHEN MAN WOULD BE SUCCEEDED BY ANOTHER RACE’

Blurb from the 1965 Four Square edition

City is a fix-up novel culled from the pages of Astounding and comprising of eight related stories and additional linking text.
The first story, ‘City’, is a tale of men, a tale which is being analysed in the linking text by a group of sentient dogs who believe the tales told by Dogs of the race of Men to be merely fables and Man himself to be a myth.
Simak’s naïve and somewhat surreal view of the future is based very much on his love for small-town America and its communities and values, and is often tinged with nostalgia for a way of life which has passed. Simak often depicts an Earth which has been abandoned by man, where Nature has been allowed to grow back over the scars which Man created.
The City of the title story is represented by one of its residential areas, a place of suburban houses and lawns which, like the rest of the City, is almost abandoned. Centralised automated farming technology has made vast tracts of land free for habitation and this, combined with the bizarre concept of an atomic plane for every home has lured people away to private estates in the country.
The worthy officials of the City Council however, refuse to accept that their City is dead and are in the process of evicting the last remaining residents (who have been labelled criminals and vagrants) who are squatting in the empty houses, unwilling to abandon the community where they spent their lives.
It’s a strange and unreal tale reminiscent of Ray Bradbury, and is full of poetry and atmosphere.
‘Huddling Place’ take us further into the future, to where descendant of one of the City’s characters has become an agoraphobic recluse in his country house, where he lives with his robot butler Jenkins. Having abandoned the cities, humanity is now abandoning the Earth, either for Mars or the interiors of the their homes from where they can travel ‘virtually’ via a holographic projection network. His agoraphobia prevents him from flying to Mars to save Juwain, the ancient Martian philosopher who was on the verge of producing a practical philosophy for humanity which would occasion the transformation of the race.
‘Census’ takes us forward in time again to the same house where the Webster grandson has surgically (rather than genetically) altering dogs enabling them to speak. Mankind is now heading for the stars while isolated groups of mutated humans live quietly in the wilderness.
Simak is again enjoining a return to a mere pastoral existence in which technology is only employed as a means to that end.
Technological developments here have allowed those with pioneering spirit to leave, those who were restricted (physically and spiritually) by existence within the city have been freed, allowing others the space to breathe within and alongside Nature.
In this section, Richard Grant, seeking the final clue to complete Juwain’s philosophy for humanity, meets the mutant Joe, a man of extended longevity, high intelligence and yet exhibiting no empathy with his fellow sapients, but rather a shocking amorality.
And so it goes on… Humanity, partly as a result of Joe unleashing the Juwain philosophy across the earth, is transformed, and is converted into a near-immortal form of life of high intelligence which can live on or in the planet Jupiter, abandoning the Earth to a handful of humans, the Dogs, the mutants and the robots.
Simak was never a writer for technical details. Jupiter is described as having a surface, and the Jovian ‘conversion process’ is hastily drawn with little explanation as to the nature of the process, something which no doubt would be explained as ‘genetic engineering’ today.
James Blish used a similar premise in his collection of related tales ‘The Seedling Stars’ while Frederik Pohl’s ‘Man Plus’ employs a combination of surgical and mechanical techniques to convert a man into a creature capable of living unaided on the surface of Mars.
‘City’ is a novel which is ultimately flawed by internal confusion of identity. The linking text implies that the stories are fables from ancient Dog History, and their content supports this, but the style seems at odds with the somewhat fairytale nature of the later stories in which talking bears, wolves, racoons and squirrels bring a rather schmaltzy Disney-esque sentimentality to the narrative.
Having said that, Simak attempts to explore the issue of what it means to be human. The humans, en-masse, chose the path of enlightenment offered by the conversion to Jovian forms, a path rejected by the Webster family (whose genealogy links all these stories) and a handful of others.
The legacy of humanity lies with the robots who are dedicated to developing the race of Dogs, unpolluted by human values and failings. Man is seen to be a creature willing to kill for what he wants, as when one of the Websters considers killing the Jovian ‘prototype’ Fowler in order to prevent the human race’s mass exodus to Jupiter, or John Webster’s solution to the problem of Joe the mutant’s experimental ants (who eventually threaten the entire planet) which is to poison them.
This may be reading far too much into what is at the end of the day a rather patchwork construction which, though poetic and inventive, fails to provide a satisfactory denouement. Flawed though it may be however, it is still a strange masterpiece that holds its own against the mainstream SF novels of the time.


The Dog Said Bow-Wow – Michael Swanwick (2007)

The Dog Said Bow-Wow

‘Science fiction and fantasy’s most adept short-story author reinvents some classic themes in an engaging collection that includes three of his Hugo award-winning stories. These smart expansions of traditional themes summon dinosaurs, dragons, peril in space, myths, faeries, and time travel, each undergoing artful alchemy to create serious genre literature that is playful, original, and clever. Comprising 16 imaginative and mischievous adventures, including the previously unpublished novelette, “The Skysailor’s Tale,” this adroit gathering makes a collection to truly revel in.

The collection The Dog Said Bow-Wow contains the following stories:

“‘Hello,’ Said the Stick”
(Hugo Nominee for Short Story 2003, Locus Nominee for Short Story 2003)
“The Dog Said Bow-Wow”
(Hugo Winner for Short Story 2002, Nebula Nominee for Short Story 2003, Locus Nominee for Short Story 2002)
“Slow Life”
(Hugo Winner for Novelette 2003, Locus Nominee for Novelette 2003)
“Triceratops Summer”
(Locus Nominee for Short Story 2006)
“Tin Marsh”
(Locus Nominee for Short Story 2007)
“An Episode of Stardust”
“The Skysailor’s Tale”
(Locus Nominee for Novelette 2008)
“Legions in Time”
(Hugo Winner for Novelette 2004, Locus Nominee for Novelette 2004)
“The Little Cat Laughed to See Such Sport”
(Hugo Nominee for Short Story 2003, Locus Nominee for Short Story 2003)
“The Bordello in Faerie”
“The Last Geek”
(Locus Nominee for Short Story 2005)
“Girls and Boys, Come Out to Play”
(Locus Nominee for Novelette 2006)
“A Great Day for Brontosaurs”
“Dirty Little War”
(Locus Nominee for Short Story 2003)
“A Small Room in Koboldtown”
(Hugo Nominee for Short Story 2008, Locus Winner for Short Story 2008)
“Urdumheim”
(Locus Nominee for Novelette 2008)’

Blurb from the 2007 Tachyon Publications paperback edition.

A collection of Swanwick’s trademark quirky tales from the early to mid Noughties. Very stylish and individual pieces.

“‘Hello,’ Said the Stick” Analog Mar 2002

An intelligent talking stick is found by a soldier in a futuristic war, but whose side is the stick on?

“The Dog said Bow-Wow” Asimovs Oct 2001

As usual Swanwick has created a bizarre and exotic world in which to set his tale, which features a genetically engineered dog of the far future who joined forces with a human man (Darger and Surplus) and hatches a scheme to steal the jewels of a member of the aristocracy.
In this future, the Queen (an almost immortal creature with multiple brains set deep into her vast body) lives in a Buckingham Palace which is surrounded by a labyrinth.
Vivid, surreal, amusing and memorable.

“Slow Life” Analog Dec 2002

An exploratory team discover life below the oceans of Titan, a meeting which inflicts drastic change on the Titans, and augurs similar changes for human society.

“Triceratops Summer” Amazon.com Aug 2005

Dinosaurs let loose from a University campus entails the world being put into a time-loop. Effectively people can live whatever lives they wish for three months before the world is reset to the point before the dinosaurs escaped.

“Tin Marsh” Asimovs Aug 2006

A prospector on Venus is driven crazy by the mentally imposed restrictions and his partner’s teasing and tries to murder her.

“An Episode of Stardust” Asimovs Jan 2006

One of Swanwick’s odd and elaborate surreal tales in which a donkey-eared fey tells the tale of how he fell into partnership with a criminal vixen.

“The Skysailor’s Tale” (The Dog Said Bow-Wow, 2007)

In a historical US which is not quite ours, a young man enlists on ‘The Empire’, a vast craft held aloft by individual balloons. Atmospheric and somewhat moving.

“Legions in Time” Asimovs April 2003

Another surreal bit of cleverness which features a woman who is paid to sit in a room and watch a cupboard door for 8 hours a day, but one day her curiosity gets the better of her, and she becomes embroiled in a war fought through time.

“The Little Cat Laughed To See Such Sport” Asimovs Oct 2002

Darger and Surplus engage themselves in a con, trying to sell a dying billionaire the location of the lost Eiffel Tower, dismantled after it was occupied by transdimensional demons attempting to invade Earth. A genetically modified cat throws their plans and emotions into disarray.

“The Bordello in Faerie” Postscripts Autumn 2006

A dark and atmospheric erotic fairy tale in which a young man becomes addicted to visiting a bordello where he engages in sex with various supernatural creatures.

“The Last Geek” Crossroads: Tales of the Southern Literary Fantastic, (Aug 2004,

An odd piece in which the last geek is paid to give a lecture at a university.

“Girls and Boys, Come Out To Play” Asimovs July 2005

Another Surplus and Darger tale involving genetically engineered Greek mythological figures, including Bacchus

“A Great Day for Brontosaurs” Asimovs May 2002

A scientist proposes a way to genetically backengineer birds in order to create dinosaurs, but is that what is really going on?

“Dirty Little War”  In the Shadow of the Wall: An Anthology of Vietnam Stories That Might Have Been, Jul 2002

A dinner party somehow overlaps with a battlefield in one of Swanwick’s more surreal stories.

“A Small Room in Koboldtown” Asimovs April 2007

A supernatural detective story, in which a non-human pitfighter is found dead in a hotel room, and the only credible suspect is the ghost janitor. Can Will le Fey solve the case and save his ghost partner’s brother from jail?

“Urdumheim” F&SF Oct 2007

Swanwick’s variation on a creation myth sees Nimrod creating humans and language and then having to wage a war against the Igigi from Mount Ararat.


Moreau’s Other Island – Brian W Aldiss (1980)

Moreau's Other Island

‘New Master, New Man…

He stands very tall, long prosthetic limbs glistening in the harsh sun, withered body swaying, carbine and whip clasped in artificial hands. Man-beasts cower on the sand as he brandishes his gun in the air…

He is Dr Moreau, ruler of a fabulous, grotesque island, where humans are as brutes and brutes as humans, where the future of the entire human race is being reprogrammed. The place of untold horrors. The place of the New Man….’

Blurb from the 1982 Triad Granada paperback edition.

Aldiss wrote three (at least) of these posthumous sequels one of which, ‘Frankenstein Unbound’ was filmed with John Hurt in the title role.
This is an updating of the HG Wells ‘Island of Dr Moreau’ and set in the then near future of the Nineteen Eighties. A World War is underway, Man has a base on the moon, the Soviets have invaded Japan and a US Undersecretary of State has escaped from a plane which crashed in the Pacific and ends up on an unknown island which has a giant letter M carved into the cliffs.
The castaway, Calvert Roberts, is picked up in a boat by the surly South African, Hans Maastricht and his strange companion George and taken to the island.
There he first meets the odd natives of the island, strange beast people with a grasp of language but a low IQ.
The ‘Master’ of the island is one Mortimer Dart, who has inherited the legacy of the legendary Dr Moreau (in actuality a Dr McMoreau, with whom Wells, so Dart tells us, was acquainted and used as the model for his legendary novel.)
Dart, it transpires, is a thalidomide victim, having only rudimentary arms and legs and ‘a penile deformity’. This has led him to create prosthetic arms and legs, some of which have tools or weapons instead of hands.
Roberts, initially disturbed and horrified by both the hybrid creatures who have been living on the island since Moreau’s time, and the way Dart treats them, is desperate to get away. Fate seems to taunt him since his actions bring about only chaos and death. It appears that Roberts is losing his own humanity as the beast people are gaining theirs, as when, in leaping from a cliff to avoid being killed by the animal mob, he ends up with a group of thalidomide Japanese ‘seal’ people and their normal human four year old daughter. Roberts is seduced into a group orgy with the entire family, actions which seem perfectly acceptable to him in that context. The seal-people, as Dart’s assistant Hans has already told him, were humans who had been made into seal-like flippered creatures by the effects of thalidomide and perhaps moving back to an innocent state of animal-like grace.
It is interesting that the action takes place in isolation while a World War rages across the rest of the planet. Roberts then discovers that not only does the government know about the island, but that his own department has sanctioned and supported Dart’s work.
Dart’s true work is to produce a ‘replacement’ race that can survive the fall out from a nuclear war.


Now Begins Tomorrow – Damon Knight (Ed) (1963)

Now Begins Tomorrow

This fascinating paperback presents the first printed stories from some of the most famous names in the genre. The majority of them appeared in John W Campbell’s ‘Astounding ‘ with the exception of the Merrill & Aldiss stories which were published in ‘Space Science Fiction’ and ‘Nebula Science Fiction’ respectively.
Knight has arranged the stories chronologically so that we see not only the chosen author’s first published story but also a rough overview of the development of the SF short form (in particular the Astounding story) and the growing level of depth and sophistication over almost twenty years. Unsurprisingly, there is only one woman represented, since the sexism which was immanent within the publishing houses and the literary texts themselves did not begin to break down until the Nineteen Fifties and Sixties, at least in the US.
Many of the stories feature no females at all, and of those that do, they appear as only minor characters, such as Mrs Garfinkle in ‘The Isolinguals’ or the doomed young wife in ‘Life Line’.

‘The Isolinguals’ – L Sprague de Camp (Astounding 1937)
‘The Faithful’ – Lester Del Rey (Astounding 1938)
‘Black Destroyer’ – AE Van Vogt (Astounding 1939)
‘Life-Line’ – Robert E Heinlein (Astounding 1939)
‘Ether Breather’ – Theodore Sturgeon (Astounding 1939)
‘Loophole’ – Arthur C Clarke (Astounding 1946)
‘Tomorrow’s Children’ – Poul Anderson (Astounding 1947)
‘That Only A Mother’ – Judith Merrill (Astounding 1948)
‘Walk To The World’ – Algys Budris (Space Science Fiction 1952)
‘T’ – Brian Aldiss (Nebula Science Fiction 1956)

‘The Isolinguals’ – L Sprague de Camp (Astounding 1937) is a compact and humourous tale of an outbreak of genetic race memory. The people of New York are unaccountably struck with a strange malaise in that they begin to be possessed by the memories of their ancestors. An engineering officer of the XXXIInd legion of Rome finds himself in the body of a fruit vendor, a package dispatcher becomes a sergeant in Cromwell’s army, Mrs Garfinkle – a new York native, suddenly starts talking in the language of the ancient Goths, and the numbers of the affected are rising dramatically.
The logical thing happens of course in that people from the same era who speak the same language begin to band together into gangs of isolinguals.
Professor Lindsley and his son-in-law Pierre solve the mystery, which turns out to be a dastardly scheme by an extreme right-wing would-be dictator, which, in 1937 would have been a bit of a topical element.

The Faithful’ – Lester Del Rey (Astounding 1938) is a pastoral, somewhat romantic tale redolent of the work of Clifford D Simak who published stories based on a similar premise in Astounding which were fixed up as ‘City’.
Men have surgically and biologically modified dogs, increasing their intelligence and awareness, but shortly afterwards have destroyed themselves with war and biological weaponry.
Hungor Beowulf XIV sets out to collect the dogs together and they embark on a quest to find any men that remain. The last human, who is fighting off the plague with the help of longevity drugs, is discovered and leads the dogs to Africa where they find similarly engineered apes who become the hands of the dogs and ultimately, the dogs hope, will replace Man as their masters.

Black Destroyer’ – AE Van Vogt (Astounding 1939) is probably Van Vogt’s best-known short story and is often touted as the original inspiration behind ‘Alien’.
On the barren single planet of a star nine-hundred light years from its nearest neighbour, an Earth scientific expedition is discovered by one of the last remnants of an intelligent race, the Coeurl.
The Coeurl – desperate for the scarce and life-giving phosphorus which it drains from its victims – pretends to be harmless, but betrays itself as an intelligent being.
The most interesting aspect of this story is the discussion between the scientists in which they pool their expertise in order to deduce the nature of the beast.
By logical deduction (the rational man of logic is a frequent protagonist in Van Vogt novels) they deduce that the creature is not a descendant of the builders of the abandoned city, but one of its former residents, and therefore highly intelligent and practically immortal.
The story was later revised and expanded in order to comprise the first few chapters of Van Vogt’s fix-up novel ‘Voyage of The Space Beagle’. The rather inhuman ending of the original story, in which the crew plan to return and exterminate the Coeurl race is amended to a decision where the creatures are left to their own fate, presumably to die out from lack of essential phosphorus. It was not, however, a humane decision as much as one which presumably allowed the ship to continue its journey to other worlds unimpeded.

In ‘Life-Line’ – Robert E Heinlein (Astounding 1939) Heinlein grasps the opportunity to take a side-swipe at the scientific community who refuse to believe that Dr Pinero has developed a process by which he can measure a man’s lifeline, i.e. the length of his existence in the temporal dimension, and thus predict the date of his death. Heinlein explores the logical extrapolation of this, in that insurance companies, whose existence depends on statistical probabilities of mortality rather than certainties, would go out of business.
The actual science or mechanics of the process in unimportant, and indeed, Pinero refuses to discuss the nature of his invention. The notion forces one to ask oneself questions, such as ‘Do you really want to know the exact date and time of your death?’

Ether Breather’ – Theodore Sturgeon (Astounding 1939) is a slight but humourous tale in which mentalities who can perceive and manipulate wavelengths begin to interfere with experimental colour TV transmissions. Although the story, seen from our perspective in an age where Colour TV is a reality, seems somewhat dated, the characterisation and dialogue is excellent and even today says a lot about the attitude of Americans regarding what they find acceptable for broadcast.

Arthur C Clarke’s ‘Loophole’ (Astounding 1946) is an interesting example of a story written in the form of communications between individuals, in this case between High Level Martian officials, concerned as to Humanity’s recent developments in atomic power.
Unusually for Clarke, the solution is one of decisive military action which destroys the Martian civilisation threatening the Earth and seems at odds with his later, more pacifist work.
Another example of this literary technique (with a much cleverer twist ending) is AE Van Vogt’s ‘Dear Pen Pal’

Poul Anderson’s ‘Tomorrow’s Children’ (Astounding 1947) is the first of two consecutive stories which reflects America’s then paranoia of the consequences of Nuclear war and the ethics of dealing with Human Mutation. It is interesting to contrast this story – which is a male-perspective overview of the possible future of society as a whole – with the following story by Judith Merrill which focuses on one woman’s experience of pregnancy and childbirth in a world suffering from radiation poisoning, although both stories pose the question of whether mutation affects the integrity of the Human Race.

Judith Merrill’s ‘That Only A Mother’ (Astounding 1948) gives us a very personal and moving account of a mother’s story from late pregnancy (in a time of atomic radiation) through to childbirth and beyond, interspersed with correspondence to her husband, on active service in the Armed Services.
The daughter is a prodigy and learns to talk at an early age but it is only when the father eventually arrives home on leave that the true state of affairs is discovered.
It is refreshing to finally see a female perspective, and indeed a main female character, and particularly within the pages of ‘Astounding’.
Interestingly, Merrill seems to imply that fathers would not be so accepting of their mutant children as Anderson suggests, rather optimistically, in his tale.

Walk To The World – Algis Budrys (Space Science Fiction 1952) is another pastoral tale, this time of wanderlust, told by a the son of a retired Space Captain, now running a farm on a colony world.
It’s notable for its vivid and detailed descriptions of the characters involved, and though superficially a simple tale, is actually a fairly complex portrait of a man’s relationship with his wife, his son and his home as well as ultimately questioning the American way of doing things. It’s a subtle piece, well-written and again redolent of the work of Simak.

Brian Aldiss’ ‘T’ (Nebula Science Fiction 1956) is, surprisingly, rather weak in its premise, although very creatively constructed and well-written.
The denizens of another galaxy have seen Man spread out to colonise our own galaxy and now are invading theirs, so they create a fleet of twelve ships containing genetically-engineered beings (composed of merely an arm and a simple brain) which are sent off on a path back through Time and Space to destroy Earth before Man has even evolved.
Due to an elementary error on the part of the aliens, the wrong planet is destroyed and Earth is left to evolve as destined.
Although simplistic, the concept of the ships and their guiding hands are creatively and ingeniously conceived and described and foretell some of the brilliance and originality of Aldiss’ later work.