Halcyon Drift (Hooded Swan #01) – Brian Stableford (1972)
Grainger – he has no first name – was half of a two man trading team who bought and sold goods through the human settled and alien worlds of the galaxy.
Encountering problems in the Halcyon Drift – a nebula where gravitational forces distort the laws of physics – Grainger crashlands on an unknown planet, killing his partner, Lapthorn and wrecking the ship, ‘The Javelin’.
He is eventually rescued but not before his body is invaded by a sentient alien parasite. His rescuer, Axel Cyran of the Cradoc Company, having been pulled away from his mission of finding a legendary lost ship for the rescue, lands Grainger with costs of twenty thousand. Twenty thousand what is never made clear.
The lost ship ‘The Lost Star’ is the Maguffin in this novel, a semi mythical wreck believed to be carrying priceless cargo.
Grainger then gets an offer by which the company who wish to hire him will clear his debts if he agrees to pilot an experimental ship for two years.
The ship is a hybrid of alien and human technology, an odd reflection of Grainger and his alien mindrider now fused into one body. The ship is called ‘The Hooded Swan’.
Its test, and its first mission, is to beat Cyran to ‘The Lost Star’ and claim the cargo.
From this summary one would assume a fairly standard bit of space opera of the time, but it is far more than that.
The setting is an interplanetary culture, bound by the Laws of New Rome, where Earth is becoming a backwater as other worlds become the centres of trading and industry, carrying out business with at least two other alien cultures. Stableford’s aliens, if humanoid-ish in physiology, are suitably alien in other senses, although the crew of the Hooded Swan do encounter truly alien life during their search for ‘The Lost Star’.
Grainger himself is a fascinating psychological study. There’s possibly a little of the sociopath about him since his frequent memories of his dead partner, with whom he spent fifteen years in close quarters, are resisting any emotion, any grief.
He has an awkward meeting with his partner’s parents who tell Grainger – to his surprise – that their son worshipped him.
Indeed, it is the alien presence in Grainger’s mind, from which no secrets can be hidden, who forces Grainger to face some of his self-deception issues.
There is a solid reality with Grainger that one seldom finds in genre novels of the period and particularly within Space Opera.
Stableford, a very important figure within the SF world, is paradoxically very under-recognised by SF readers in general in my view which is a terrible injustice.
If you have never read Stableford, give this series a go.