Fortune’s Pawn – Rachel Bach (2013)
Devi Morris is a young ambitious mercenary in the interstellar kingdom of Paradox. Her ambition is to become a Devastator, one of the elite force under the command of the king himself. To do this she will have to wait ten years or more to gain enough experience to be accepted.
However, her friend Anthony has advised that there is a vacancy for a security position on a high risk ship, captained by a trader called Brian Caldswell. Experience on his ship ‘The Glorious Fool’ is thought of as being a fast track entry to Devastator status.
So, Devi (with her own personal armour) becomes half of the security detail on a ship which boasts among its crew a large parrot-like navigator, a handsome and mysterious cook, a mystic, a creepy child with strange powers and an exile from the ferocious xith’cal reptilian race.
Gradually Devi becomes curious about both the cook, Rupert, with whom she becomes romantically embroiled, and the Captain’s business, which turns out to be far more than merely trading goods between planets.
There are some effective action sequences, although the romance element is a little schmaltzy, cringeworthy and more akin to a Mills and Boone novel than a militaristic space opera. It doesn’t make a lot of sense either. For reasons I can’t really go in to without using spoilers, Rupert has a past which would really preclude any romantic involvement unless he was prepared to come clean. He seems like a decent bloke and in his circumstances would not have flirted with Devi to the degree that he does. Additionally, there is one scene where they initiate a kiss and Rupert – having second thoughts – has to walk away, and stands there, shaking. This strikes me as not so much romantic but just a tad creepy.
The other point that vexes me very much about this novel is the concept of a hereditary monarchy controlling a network of planets. It just doesn’t fit with the interstellar society in which this is set. How did this evolve and over what period of time? It is, at the end of the day, a mere decorative effect since we see nothing of the king or any indication of how this system works. For me, it is less decorative and more bling. It’s also a bit of a cliche adopted I imagine to appeal to the demographic target for this series. Clearly this is not the one into which I slot.
I find it quite interesting though that the people who find the concept of a monarchy romantic and fascinating are those who live in countries who don’t actually have one. The reality of such systems is rather irritating and very depressing. Had Bach attempted to make a political point about monarchies it might have made sense, but that’s not the case.
However, even taking into account the absurd interstellar Royalty concept, this is a very enjoyable read. One is drawn in to the story and the various mysteries which Devi has to unravel, some of which are left hanging for the next volume.
The action sequences are very well done, and the novel zips along at a fair pace. There’s some decent characterisation and I am really looking forward to the next installment. It would be great if Devi returned to find that there had been a revolution in Paradox and that the kingdom was now a republic, but I fear I am going to be disappointed.